Joyce Manor/Algernon Cadwallader @ The Magic Stick Lounge, 8/6/12

On August 6th, I had the pleasure of going to a punk show at the Magic Stick Lounge! California's economic pop punkers Joyce Manor and Philly's noodly mid-90s midwest emo revivalists Algernon Cadwallader (one of my favorite bands, recently) came to Detroit and kicked some major ass.

I missed the first band and caught the last few songs from Detroit's Louder Than Bombs, were on the punk side of emo with yell-y vocals and great guitar parts.

Algernon played third and completely owned. Everybody says they're like a modern day Cap'n Jazz, and I will not argue with that. I embrace it, as they do the style so damn well. Plus, they're much more succinct and more focused on the poppier elements of the genre.

Anyway, the band played extremely tight and were an outright blast to watch thanks to their high energy. Unfortunately they didn't play as many songs as I'd hoped from their latest LP, Parrot Flies (which was #4 on my favorite albums of 2011 list), but, I was pumped that my favorite jam from that, "Preservatives," was played. They sure brought out the jams from their first record, Some Kind of Cadwallader, though. Opening with "Yo Soy Milk" and closing with "Serial Killer Status" were excellent decisions. However, the main highlights (aside from "Preservatives") were "Spit Fountain" from the Fun 7" and the title track from Some Kind of Cadwallader.

My knowledge of Joyce Manor is weak, as I just got into them with this year's Of All Things I Will Soon Grow Tired. The vast majority of their set seemed to consist songs from their first LP and earlier releases, because I did not recognize more than one or two. Regardless, their energy was also high, and thus were fun to experience in a live setting. I guess I didn't really expect them to be so tight live, though one could tell the drummer was getting tired as the set went on (I will vouch for him as the band completely blazed through their set).

When all was said and done, Algernon Cadwallader and Joyce Manor both played sets probably no longer than 25 minutes and I was home that night by midnight. That certainly added to the overall greatness of the show.

Those Guys Have All the Fun/Netherland

Those Guys Have All the Fun - James Andrew Miller and Tom Shales (2011)
Those Guys Have All the Fun is a telling oral history of ESPN told by the cable network's higher ups, programmers and on-air talent. There are plentiful looks on how and why the company succeeded as a business and has dominated the worlds of sports and entertainment for years, and those parts were somewhat interesting, but, what really attracted me to this enormous book (both literally and figuratively) are all the scandals that are detailed within. I would have looked more of that, and even more insight from the personalities that I especially enjoyed growing up watching Sportscenter (namely Keith Olbermann and Dan Patrick). Sure, a lot of ESPN's stars and higher ups come out sounding like complete douchebags, but man, that stuff is fun to read about it! If you have the patience and a technical mind to go along with that, there is a lot to be interested in in Those Guys Have All the Fun. Combine that with all the controversial drama (of which I expected much more of, but wasn't disappointed in what I had the pleasure to read here), and you've got some fun times ahead of you with this book.


Netherland - Joseph O'Neill (2008)
I think I allowed my expectations for Joseph O'Neill's critically acclaimed 2008 novel, Netherland, to reach unrealistic heights. While O'Neill's prose and dedication detail are outright fantastic and this story of a Dutch immigrant and his desire to fit in while living in post-9/11 New York City and trying to make it his home is weirdly relatable (we all want to fit in and make our homes exactly where we're at, right?), somehow I was still let down. There are points in the novel that slow down a little too much and get a bit dry, but, for the most part, they are easy to look past thanks to the rich characters and quirky subplot (making the sport of cricket popular in America). While I can't relate to main character Frans' immigrant status, the trials and tribulations he faces (fitting in, being comfortable in an overwhelming, giant, foreign place, keeping his family together) are all-encompassing. There are darker and mysterious touches that pop up here and there throughout the plot that really grabbed me as well. Aside from the boring passages and perhaps overwhelming amount of description (which, again, really is a compliment to O'Neill's skill), Netherland was still enjoyable and immensely touching. If Goodreads allowed half-star ratings, it would get a 3.5.

The Art of Fielding/The Diving Bell and the Butterfly/Blankets

The Art of Fielding - Chad Harbach (2011)
Chad Harbach's critically acclaimed debut novel, The Art of Fielding, was one of those rare reading experiences where I was so invested in the characters that I had a hard time putting it down. So, I ended up reading the 500+ page book in five days. Yes, baseball plays a huge role in the plot, and as a fan of that sport, it certainly contributed to the amount of which I enjoyed it. But, you don't have to be a baseball fan to appreciate these diverse, quirky, vibrant characters and this tale of love, ambition and overcoming the hardships of public potential gone awry (the main character is a highly lauded baseball prospect). There's one crucial plot point that is so incredibly messed up, which I am usually into, but was a bit difficult to get around. Harbach's prose was a little too laid back for me, considering the intricacy of the details, but that is basically my only complaint. The guy sure knows how to write a compelling, complex and challenging yet enjoyable story.


The Diving Bell and the Butterfly - Jean-Dominique Bauby (1997)
The Diving Bell and the Butterfly is an english translation of a French memoir written by journalist Jean-Dominique Bauby. I'm not that into memoirs, but I wanted to read something easy and short while dog-sitting for some friends in Ypsilanti. While completely depressing to me, The Diving Bell and the Butterfly fit the bill. At the end of 1995, Bauby suffered a stroke and entered a coma, only to wake up with a condition called locked-in syndrome. With a lot of help, Bauby composed this memoir to detail the life and thoughts of someone burdened with this condition. I know this is insensitive, as this is a truly tragic story, but the memoir's artistic imagery and poetic style did virtually nothing for me, and I was bored through most of it. That being said, the struggle and effort that was put into writing this is extremely commendable as is the hope and spirit represented within. As far as my preferred style of reading material, The Diving Bell and the Butterfly just isn't really my thing.


Blankets - Craig Thompson (2003)
The graphic novel Blankets is Craig Thompson's gorgeously drawn and splendidly written claim to fame. The only possible way it could not touch you in deeply emotional ways is if you literally lacked a heart. Blankets is a coming-of-age story about being raised in a conservative Christian home and finding one's first love. I will admit that at times, Thompson gets a little heavy handed here, but it was incredibly easy to find elements in the story and characters to relate to. This book hit me hard and brought out the inner sensitive, emotional wuss in me. Completely soul crushing in the best way.

Emotional Listening #24

Summer Days (And Summer Nights!!) - The Beach Boys (Capitol, 1965)
It's crazy to think that Summer Days (And Summer Nights!!), released in 1965, was The Beach Boys' ninth studio album. Home to such hits as "Help Me, Rhonda" and "California Girls," it is certainly a crucial entry in their output. Despite these classic singles, believe it or not, there are eight songs that are even better. "The Girl From New York City" and "Amusement Parks U.S.A." are an awesome opening one-two punch. "Summer Means New Love" is an excellent instrumental. However, the high points are "Girl Don't Tell Me," an excellent pop song with great hooks and chord changes, and "Let Him Run Wild," which hints at the more somber, psychedelic, orchestral sound of Pet Sounds. "I'm Bugged at My Ol' Man" is a blatant misstep; one of the worst, most obnoxious songs I've ever heard in my entire life. For reals. Otherwise, Summer Days (And Summer Nights!!) isn't that far off from being perfect.
Top jams: "The Girl From New York City," "Amusement Parks U.S.A.," "Then I Kissed Her," "Salt Lake City," "Girl Don't Tell Me," "Let Him Run Wild," "You're So Good to Me," "Summer Means New Love"


Duty Now for the Future - Devo (Warner Bros., 1979)
While Devo's sophomore LP, Duty Now for the Future, is a continuation of their nearly flawless debut, Q: Are We Not Men? A: We Are Devo!, there are subtle differences and advancements that come out after repeated listens. The overall sound can still be considered post-punk, but the slightly louder new wave elements of the band are a bit more present. It's poppier, and the songs aren't quite as jittery. The guitars are quieter and the synths are up in the mix. Also, there aren't any standouts that reach the same level of awesomeness as "Space Junk," "Gut Feeling/(Slap Your Mammy)" or "Come Back Jonee." "Blockhead" and especially closer, "Red Eye," come close. I look forward to eventually continuing along Devo's discography.
Top jams: "Clockout," "Timing X," "Wiggly World," "Blockhead," "Strange Pursuit," "The Day My Baby Gave Me a Surprize," "Pink Pussycat," "Red Eye"


The View From This Tower - Faraquet (Dischord, 2000)
Faraquet was a melodic, math-y indie rock band from predominantly the late 90s on Dischord Records. I first came across their lone full-length, The View From This Tower, late in 2003 thanks to my long lost pal Andy. Both being drummers into complex music at the time, he knew I would find immense appreciation in this. However, I didn't give the album my full attention until now. These days, I'm not so stuck on ridiculous guitar patterns and math-y time signatures, but of course the dudes in this band still floor me with their outright talent. Devin Ocampo and Chad Molter are, like, Washington D.C.'s two greatest hidden secrets in music: multi-instrumentalists who are masters at everything they do. The math rock on The View From This Tower is not to the Don Caballero level of wankery. These are still pop songs, generally, just with shifting time signatures and intricate guitars riffs. What most surprises me this time around is the quality of Ocampo's vocal melodies and how bright and gorgeous the music here can be.
Top jams: "Cut Self Not," "Carefully Planned," "Conceptual Separation of Self," "Study in Complacency," "Sea Song," "The Missing Piece"


Graceland - Paul Simon (Warner Bros., 1986)
Through the first seven songs, Paul Simon's seminal Graceland is perfect. I start losing interest after that (in spite of how much I like "Crazy Love, Vol. II"). But, man! Those first seven tracks KILL IT. I won't argue with you if you think "You Can Call Me Al" is corny and obnoxious. It totally is. But, not only was it one of my absolute favorite songs as a kid, it is simply a fantastic 80s pop tune, in spite of its ridiculousness. The title track and "The Boy in the Bubble" are probably the two best tracks here, but lately, "Gumboots," with its bouncy rhythms and gorgeous horn sections, and the general beauty of "Under African Skies," have been the most impressive. Graceland's back story, its expansive instrumentation, and African rhythms certainly make it a fascinating record. But, really, I just love it for what it is: a unique pop album of the highest quality. If only the end of the record lived up to the perfection of those first seven jams.
Top jams: "The Boy in the Bubble," "Graceland," "I Know What I Know," "Gumboots," "Diamonds on the Soles of Her Shoes," "You Can Call Me Al," "Under African Skies," "Crazy Love, Vol. II"


They Spent Their Wild Youthful Days in the Glittering World of the Salons - Swirlies (Taang!, 1996)
I came across this, Swirlies' second LP, thanks to my friend and bandmate Eric putting a song of theirs on a Spotify mix for me back in late autumn. On They Spent Their Wild Youthful Days in the Glittering World of the Salons, shoegaze is the word, but not the slow, vague style of My Bloody Valentine. Underneath all the layers and noise, these are pop songs, albeit complex ones. Sure, there are softer, more ambient tracks like "Pony" and "The Vehicle is Invisible." And those songs are great. But what Swirlies excel at the most are the louder, more upbeat jams. "In Her Many New Found Freedom" and "San Cristobal de las Casas" are awesome rockers with more intricate song structures. "Sounds of Sebring" takes the cake, though. Everything about the song is perfect from the melodies to the way the song moves from part to part to the way the guitars and drums sound. I am very much pumped about this record.
Top jams: "In Her Many New Found Freedom," "Sounds of Sebring," "San Cristobal de las Casas," "You Can't be Told It, You Must Behold It," "Pony," "Two Girls Kissing," "Sterling Moss," "Sunn," "The Vehicle is Invisible"

Tree of Smoke/The Complete Persepolis

Tree of Smoke - Denis Johnson (2007)
Denis Johnson's 2007 novel and Pulitzer finalist Tree of Smoke is HUGE. In both length and emotional depth. Taking place in Vietnam from 1963 through 1970, it is a complex, desperate, brutal and even sometimes touching tale about war and its effects on all peoples involved. There are a lot of characters, major or minor, who play absolutely crucial roles in the plot, and I'll admit that it was difficult to keep track of it all, especially with this being a 702 page monster. But all of the violence, deception, betrayal,  corruption, etc. made for a fascinating and intricate story that overwhelms in so many positive ways. Johnson's prose is poetic (which is no surprise, as he is also a poet), and even in those moments of reading details that I wasn't fully processing, I could appreciate his mastery of the art. I look forward to reading this again at some point in the distant future.


The Complete Persepolis - Marjane Sadrapi (2007)
I know that The Complete Persepolis is an insanely popular, critically acclaimed graphic novel, thus why I am surprised it took me so long to getting around to read it. It details the life of author Marjane Satrapi's childhood and early adult years in Iran, around the time of the Islamic revolution and the war between Iran and Iraq. Her writing is incredibly easy to follow, detailed and informative, and the simple black and white art is a charming touch. it was a bittersweet experience reading about a young muslim female growing up in the middle east during a time of war. Typically, I'm much more interested in reading dark, surreal comics or superhero ones, but it was easy to appreciate Satrapi's story.

Emotional Drumming Mix #4

Here's a 20 song mix compiling the best from each entry of my five most recent Emotional Listening installments. Download it, obviously for free, and only if you'd like to, right HERE.

Tracklist:
1. "Oblivious" - Galaxie 500 (1988)
2. "Every Picture I Paint" - Teenage Fanclub (1990)
3. "Divine Hammer" - The Breeders (1993)
4. "No Reply at All" - Genesis (1981)
5. "Young Hearts Spark Fire" - Japandroids (2009)
6. "Catamaran" - Bear vs. Shark (2005)
7. "The Garden" - Abe Vigoda (2008)
8. "Glass" - Gang of Four (1979)
9. "Take the Skinheads Bowling" - Camper Van Beethoven (1985)
10. "Letter From an Occupant" - The New Pornographers (2000)
11. "The Light Pours Out of Me" - Magazine (1978)
12. "Hazel St." - Deerhunter (2007)
13. "I Have Seen a Light" - Destroyer (2002)
14. "Bury the Hammer" - Beat Happening (1992)
15. "Margaret vs. Pauline" - Neko Case (2006)
16. "Guys Don't Lie" - Papas Fritas (1995)
17. "Block of Wood" - The Bats (1987)
18. "Crazy Rhythms" - The Feelies (1980)
19. "Nothing to be Done" - The Pastels (1989)
20. "Eat at Home" - Paul and Linda McCartney (1971)

2012 MLB Mid-Season Report

I made predictions going into the 2012 MLB season. A lot of those were wrong. Here, I try to right my wrongs. It's MLB mid-season prediction revision time.

AL East
1. New York Yankees
2. Tampa Bay Rays
3. Boston Red Sox
4. Baltimore Orioles
5. Toronto Blue Jays

The Yankees' offense is good as usual and their pitching has been surprising. Probably not enough to get into the World Series though. Tampa Bay's got problems that I think they will work through, as do the Red Sox, and they get Carl Crawford back. Baltimore has been a pleasant surprise in every way, and Toronto is at about where everyone figured they would be. It's relatively probable that every team in the AL East will have a winning record.

AL Central
1. Detroit Tigers
2. Chicago White Sox
3. Cleveland Indians
4. Kansas City Royals
5. Minnesota Twins

Everyone in Detroit freaked out about the Detroit Tigers. They are 44-42. At this point last year, they were 45-41 and Cleveland had first place. It's not that different this year, and they will win this division, probably handedly. DO NOT WORRY. In fact, the Tigers can even be considered as dangerous if Quentin Berry is for real, Andy Dirks comes back, Doug Fister gets his magic touch back and Max Scherzer maintains some consistency if not continues to completely dominate. The White Sox are really fun now, though, post-Guillen. Chris Sale has been EXCITING. Cleveland is over-performing, and really, they're not much better than Kansas City or Minnesota.

AL West
1. Texas Rangers
2. Los Angeles Angels
3. Oakland Athletics
4. Seattle Mariners

The Texas Rangers are the best team in baseball without question. Their pitching rotation is not the strongest, but it's decent, and their ridiculous offense more than makes up for it. The Angels are getting scary thanks to 20 year-old rookie Mike Trout saving them single handedly. Jered Weaver ain't so bad, either. Oakland's young and talented pitching staff has somehow made them relevant again. Seattle is just sad. Poor King Felix. Get outta there, fella!

NL East
1. Washington Nationals
2. New York Mets
3. Atlanta Braves
4. Miami Marlins
5. Philadelphia Phillies

Cliff Lee has only won one game due to poor offense and Roy Halladay has been injured. It has not been the Phillies' year. It seems that Halladay will not get his World Series ring with Philly. That Cole Hamels is potentially getting traded is shocking to me, too. All of this to say that, the Washington Nationals really are the team to beat in the NL East and maybe even the entire NL. I knew they were going to be ridiculous before too long, but I did not see it happening so quickly. This Strasburg/Gonzalez pairing is a dream come true. The Mets and Braves will be in a tight race all year. I don't see how R.A. Dickey's luck will last all year, but David Wright is also having an MVP caliber year, and the Braves are having a rough time thanks to injuries. The Miami Marlins are hilarious.

NL Central
1. St. Louis Cardinals
2. Cincinnati Reds
3. Pittsburgh Pirates
4. Milwaukee Brewers
5. Chicago Cubs
6. Houston Astros

The St. Louis Cardinals are really good, they're just losing an insane amount of 1-run games. I don't see that lasting. I'd rather them suck or at least not win the division, but they probably are the best team in the central. I'm rooting hard for the Reds and potential MVP Joey Votto, though. The Brewers, who are pretty much my favorite team in the NL, are sad this season, and I have no idea why. I mean, they don't have Prince Fielder, yes, but with Ryan Braun and that starting rotation and supposedly fantastic bullpen, I don't understand how you're 40-45 at the All-Star break. I cannot believe in the Pittsburgh Pirates as the real deal this year, but Andrew McCutchen and their pitching all around have been incredibly special. The Cubs and Astros are TERRIBLE. Someone trade for Matt Garza and Ryan Dempster already. AHEM Detroit.

NL West
1. San Francisco Giants
2. Los Angeles Dodgers
3. Arizona Diamondbacks
4. Colorado Rockies
5. San Diego Padres

This Giants starting rotation is SICK, despite Tim Lincecum's completely blowing it. Their bullpen is still awesome without Brian Wilson too, and they're actually hitting the ball a bit. If Lincecum can figure out some way to get around how majestically he is sucking, the Giants could go to the World Series. The Dodgers were a nice story for the first part of the year, and with how well they've been pitching and getting Matt Kemp back, they could be playoff bound. The Diamondbacks are back to their usual suck every-other-year, rule every-other-year tricks, and Justin Upton's outright bombing has been pretty funny. The Rockies will edge out the Padres only because they have Carlos Gonzalez and are getting Troy Tulowitzki back.

AL Wild Card Game
Los Angeles Angels over Tampa Bay Rays

NL Wild Card Game
Cincinnati Reds over Los Angeles Dodgers

ALDS
Texas Rangers over Los Angeles Angels, 3-2
New York Yankees over Detroit Tigers, 3-2

NLDS
Washington Nationals over Cincinnati Reds, 3-1
San Francisco Giants over St. Louis Cardinals, 3-2

ALCS
Texas Rangers over New York Yankees, 4-2

NLCS
San Francisco Giants over Washington Nationals, 4-1

World Series
Texas Rangers over San Francisco Giants, 4-1

AL Rookie of the Year - Mike Trout, Los Angeles
AL Comeback Player of the Year - Adam Dunn, Chicago
AL Cy Young - Justin Verlander, Detroit
AL MVP - Josh Hamilton, Texas

NL Rookie of the Year - Bryce Harper, Washington
NL Comeback Player of the Year - Johan Santana, New York
NL Cy Young - Matt Cain, San Francisco
NL MVP - Joey Votto, Cincinnati

Emotional Listening #23

Terrorhawk - Bear Vs. Shark (Equal Vision, 2005)
The one and only time I ever got to see Michigan's short lived post-hardcore band Bear Vs. Shark live was during my senior year of high school at a hall show. At the time, their sound reminded me of early At the Drive-In (down to the style and rhythm of the vocals) and their live performance was entertaining and energetic as all get out. Over one EP and two LPs, the band never really ditched their ATD-I homage, but on their second and final album, Terrorhawk, they were able to put a unique spin on their songs. Opening jam of jams "Catamaran" is almost a catchy pop punk song. The same could be said of "Seven Stop Hold Restart." "Out Loud Hey Hey" mixes punk with classic rock guitars. "Entrance of the Elected" features jagged, intermingling guitars. "Heard Iron Bug, 'They're Coming to Town'" probably showcases the band at their most creative, with bizarre spoken word sections and a chorus where the tempo continuously speeds up until completely imploding. In spite of Marc Paffi's intense and gruff vocals, there are plenty of catchy melodies throughout, whether it be by voice or guitar. I'll go ahead and state that I like Terrorhawk more now than I ever have before.
Top jams: "Catamaran," "5, 6 Kids," "Six Bar Phrase Hey Hey," "Entrance of the Elected," "Seven Stop Hold Restart," "Out Loud Hey Hey," "I Fucked Your Dad," "Hear Iron Bug, 'They're Coming to Town'"


You Turn Me On - Beat Happening (K/Sub Pop, 1992)
I know that Beat Happening is a classic lo-fi/twee/jangle/indie pop band that most fans of the genre worship. So sue me that I just started getting into them over the past year or two. You Turn Me On was their final full length, and it was where I ended up starting for whatever reason. Neither the production nor the vocals are good, but the lack of enthusiasm toward those aspects of these songs is totally charming. Heather Lewis' vocals are tolerable at least, and her melodies are sugar sweet. Calvin Johnson's vocals are a bit more difficult to get around. Beat Happening had many shortcomings, and they are fully on display on You Turn Me On, but, man, there are some ridiculously great songs here. "Noise" and the epic, entirely too repetitive "Godsend" are probably the best of the best, but "Hey Day" and "Bury the Hammer" show off the best guitar chords, if that means anything to you.
Top jams: "Tiger Trap," "Noise," "Teenage Caveman," "Sleepy Head," "Godsend," "Hey Day," "Bury the Hammer"


This Night - Destroyer (Merge, 2002)
I'll admit to being surprised by how much I was taken by This Night, Destroyer's fifth LP. I firmly believe that 2006's Destroyer's Rubies and 2011's Kaputt are modern classics, but I didn't really expect much from this. Pretty glad I was wrong. Daniel Bejar's typically drunken stumbling over his phrases and words are in full force, as are his strong melodies and simple yet perfect chord progressions. While Kaputt is tight as shit and Rubies displays a slight element of sloppiness but is generally tight, This Night indulges in sloppiness and it feels just right. Sure, some of these songs are too long, and maybe even some of Bejar's ideas here aren't fully realized. But, I think that's part of the charm of the album. That and the messy but glorious sounding guitars, and again, those catchy melodies. There are too many highlights to cover, but you couldn't ask for a more appropriate opener than the title track, and "I Have Seen a Light," despite it's dire tone and slow burn, is absolutely gorgeous.
Top jams: "This Night," "Holly Going Lightly," "Here Comes the Night," "The Chosen Few," "Making Angels," "Modern Painters," "Crystal Country," "Trembling Peacock," "I Have Seen a Light," "Students Carve Hearts Out of Coals"



Abacab - Genesis (Atlantic, 1981)
GENESIS. Yup. 1981's Abacab is truly an amazing record. No joke. Do you like prog rock with actual hummable melodies and choruses? Do you like overpowering synthesizers? Do you like drums that were recorded in the very early 80s but sound like they're from the late 90s, and are played tastefully and awesomely (BY PHIL COLLINS)? What about roto-toms? It sounds like I'm making fun of this record, but, while I could do without the roto-toms, Abacab really is a fantastic record. "No Reply at All" is quickly climbing the list of favorite songs ever. The verses sound like something Animal Collective would've used as a sample. "Keep It Dark" was my first top jam on Abacab, and probably still is, but "Man on the Corner" and "Who Dunnit?," as corny as it is, are sort of catching up. Don't get me wrong, the entire album is corny as hell, but that is up for with Abacab's overall sense of rhythm, melody, and complex song structures that aren't completely overwhelming. Seriously, I love me some Abacab.
Top jams: "No Reply at All," "Keep It Dark," "Dodo/Lurker," "Who Dunnit?," "Man on the Corner," "Another Record"


Ram - Paul and Linda McCartney (Apple, 1971)
Ram is Paul McCartney's second post-Beatles album, and is also the only one where Linda is credited along with him. It is a bizarre pop record that features plenty of silly McCartney-isms present on, say, The White Album (I'll admit to totally loving Ram's ridiculous "Uncle Albert/Admiral Halsey" through and through). "Too Many People" is an excellent opener with probably the best melody on the record, and "The Back Seat of My Car" is the perfect closer, even if it is a little too dramatic. "Ram On" is a beautiful and eerie ukelele ballad that was my first favorite song on the album. "Eat at Home" is the true jam though, in all of its straight forward power pop glory. As maligned as Ram was when it was released, it's easy to see that it has been referenced plenty in modern music. It certainly is a worthwhile listen, even if it doesn't quite live up to the standards of The Beatles' best albums.
Top jams: "Too Many People," "Ram On," "Dear Boy," "Uncle Albert/Admiral Halsey," "Smile Away," "Eat at Home," "Long Haired Lady," "The Back Seat of My Car"

A Different Ship/Electric Cables/Spooky Action at a Distance/Open Your Heart

A Different Ship - Here We Go Magic (Secretly Canadian, 2012)
On this, their third LP, Here We Go Magic sort of rein things in. The self-titled 2009 debut was a sort expansive yet subtle folk experiment with plenty of electric elements, placing them in the Grizzly Bear camp, sonically. 2010's Pigeons and 2011's The January EP were a bit more in your face: funkier and a kraut-y. On A Different Ship, which was produced by Nigel Godrich (Radiohead, Beck, Pavement, etc.), the band run with the funkiness, but smoothing it out a bit. It's basically an adult contemporary/soft rock album, with nods to Fleetwood Mac, especially in the production, and even some Paul Simon. There's something else to it, though, that I just can't place. And it's the combination of that unplaceable element and the Mac-isms that wins me over. Even if I prefer the earlier releases.


Electric Cables - Lightships (Geographic, 2012)
Lightships is a new alias for Teenage Fanclub's Gerard Love, and Electric Cables continues his penchant for gorgeous pop songs with Byrds-esque chiming guitars and broad instrumentation. While these are pop songs of the ballad persuasion, and their production is excellent, Electric Cables has a lucid feel throughout, which makes it a great album to fall asleep to (in a good way). I'm new at being a Teenage Fanclub fan, and I never saw this record coming, so it was a welcome, pleasant surprise. Especially with songs like "Two Lines," "Sweetness in Her Spark," and "Stretching Out." If you happened to listen to Teenage Fanclub's 2010 LP, Shadows, and were into the song "Into the City," basically all of Electric Cables sounds like that.


Spooky Action at a Distance - Lotus Plaza (Kranky, 2012)
Lotus Plaza is the solo project of Deerhunter guitarist Lockett Pundt. His 2009 debut, The Floodlight Collective, was a collection of moody, ambient, lo-fi shoegaze tracks. It was pretty nice, but it surely didn't hit me nearly as hard as his follow up, Spooky Action at a Distance, has. The differences between the two are VAST. Not only is Spooky Action at a Distance well produced (by none other than Detroit's own Chris Koltay, which is news to me), it consists of actual pop songs. There are still some subtle shoegaze elements, for sure, but chiming Byrdsian guitars, moderate tempos and solid melodies are the main focus here. It's difficult to deny that the songs here just sound like jams Pundt could have submitted for Deerhunter records. But, they're damn fine songs nonetheless. Into it.


Open Your Heart - The Men (Sacred Bones, 2012)
The Men seem to be one of underground punk rock's big new things, so, on a whim (and admittedly based on Pitchfork's recommendation), I decided it seemed worthwhile to put in some time with the band's latest, Open Your Heart. It is raw, powerful punk rock with chaotic tendencies, but melodic sensibility a good portion of the time. Hints of The Replacements and Sonic Youth poke in and out, which is a pretty fun combination. Opener "Turn it Around," "Oscillation," and closer "Ex-Dreams" are all completely bad ass. The guitars sound awesome. CHECK IT.

Prometheus/Moonrise Kingdom

Prometheus (2012)
Written by Jon Spaihts and Damon Lindelof, directed by Ridley Scott
It has been quite a while since I had been so excited to see a film in the theater. I know that reviews for Prometheus have been relatively mixed (though, good for the most part, right?). I, however, thought it was a complete knock out. Ridley Scott tried to downplay the degree to which Prometheus is a direct prequel to his 1979 sci-fi/horror classic Alien, and I believe he failed. I will say that, perhaps, Prometheus might not cover the particular subject one might suspect quite as much as desired. Anyway, I am of the opinion that this film should go down as one of the absolute greatest summer blockbusters of our time. Sure, it's not perfect. I have complaints about some of the plot points and a lot of the ridiculous decisions and unbelievable reactions of the characters (I'm being vague because I don't want to give ANYTHING away). It's pacing is a little bit quicker than I was hoping, too. But, visually, Prometheus is absolutely stunning, and the acting is quite impressive (mainly Michael Fassbender). My issues with the plot are minuscule, and even if everything unravels too quickly, I still love the way it all happens. There are plenty of moments to jump at, too, and the violence and gore is fun and certainly shocking. If you're a fan of or at least interested in the Alien series, I know you're going to see this. But, you should do yourself a favor and see it regardless. And, if you're disappointed by it, I don't know what to tell you. You're crazy.


Moonrise Kingdom (2012)
Written by Wes Anderson and Roman Coppola, directed by Wes Anderson
Usually I go into Wes Anderson films with huge expectations. Even though I had already gathered that Moonrise Kingdom was a sort of return to form for Anderson, I still was able to keep my expectations non-existent when I went to see it the other day. It's obvious now that nothing will ever touch The Royal Tenenbaums (2001) or Rushmore (1998). But, still, after Moonrise Kingdom finished, I couldn't help but walk away feeling that it was Anderson's best since The Life Aquatic (2004). A lot of Anderson's usual elements are present: dry, quirky dialogue spoken by ridiculous, fairy tale characters, dysfunctional family, Bill Murray and Jason Schwartzman, vibrant colors, and symmetrical, ultra intentional cinematography. What sets Moonrise Kingdom apart a little is that the cast is made up predominantly of children. If you typically like Wes Anderson's work, then there's no reason for you to dislike this, but, also, I don't really see it winning over any new fans. That being said, Moonrise Kingdom is a wonderful addition to Anderson's filmography. It is whimsical in a charming way, and really, a lot funnier than I was expecting, thanks to the memorable characters and performances. DO IT.

The Karaoke Singer's Guide to Self-Defense/The Last Night of the Yankee Dynasty

The Karaoke Singer's Guide to Self-Defense - Tim Kinsella (2011)
Tim Kinsella is known for singing in cult Chicago bands such as Cap'n Jazz, Joan of Arc, Owls and Make Believe. How cool it was to come across his debut novel, which I had no prior knowledge of, during a recent visit to that wondrous city. The characters and events of The Karaoke Singer's Guide to Self-Defense are those of dreams (or perhaps more appropriately, nightmares). It is a novel about being stuck in grime and finding respite from it even in small things. While Kinsella's characters are difficult and even unlikeable (and not necessarily in an appealing way), his prose is dense, fluid and poetic and his imagery is the star of this complex, disjointed storyline.


The Last Night of the Yankee Dynasty - Buster Olney (2004)
The Last Night of the Yankee Dynasty is former New York Times sports writer Buster Olney's bittersweet love letter to the New York Yankees. While his wide-eyed worship of the team's outright dominance at the end of the 20th century was a little annoying to read at times, he masterfully dissects and documents the pieces that were assembled to create one of the greatest baseball teams in history. The two greatest highlights of the book are Olney openly calling out George Steinbrenner for his dramatically poor attitude toward Yankee staff, and his not shying away from the various controversies surrounding this team full of perennial all-stars. Even though Olney's writing style can be a little too wistful and devoted, and I am not necessarily a fan of the New York Yankees (though I don't really hate them, either), The Last Night of the Yankee Dynasty is a thoroughly enjoyable baseball book featuring great insight, touching stories, and plenty of opportunities to laugh at overtly rich asshole superstars.

Emotional Listening #22

Crazy Rhythms - The Feelies (Stiff, 1980)
I recently finally got around to spending some time with revered New Jersey jangle pop band The Feelies' critically appreciated debut, Crazy Rhythms. Unlike their excellent third LP, Only Life, what Crazy Rhythms lacks is any outright jam of all jams (especially one to the degree of "It's Only Life," one of the greatest songs written by man). What's cool about this record, though, is all of its frantic, nervous energy in spite of all the clean, jangly guitars. There's almost a punk edge here, especially in the vocals, which bring to mind Devo and Buzzcocks more so than Glenn Mercer's lazier singing style on later records. These songs are generally quite fast, too, and the guitars really lend themselves to the percussive feel of the entire album. "Fa Ce-La" and "Crazy Rhythms" are the best tracks here, and I might go so far as to say that their cover of "Everybody's Got Something to Hide Except Me and My Monkey" might be even better than The Beatles' original.
Top jams: "The Boy With the Perpetual Nervousness," "Fa Ce-La," "Forces at Work," "Everybody's Got Something to Hide Except Me and My Monkey," "Raised Eyebrows," "Crazy Rhythms"


Entertainment! - Gang of Four (EMI, 1979)
I know that Gang of Four's 1979 debut, Entertainment!, heavily influenced a lot of bands that were considered a big deal in the early 2000s (namely The Rapture and Franz Ferdinand), and that it is a classic, important record. I just didn't care for whatever reason for a long time. Now, I listen to it with fresh ears and appreciate it for what it is: a political late 70s punk album with some danceable elements and ahead-of-its-time choppy, angular guitars. I recognize now the role that this record probably played in better bands like Fugazi and Q and Not U. "Glass" is the most eye opening moment for me here, due to its surprising melodic sensibility.
Top jams: "Natural's Not in It," "Not Great Men," "Damaged Goods," "Return the Gift," "I Found That Essence Rare," "Glass," "Contract," "At Home He's a Tourist"


Real Life - Magazine (Virgin, 1978)
After Howard Devoto left Buzzcocks in 1977, he formed Magazine, who are said to be one of the first post-punk bands, and went on to impressively release four records in the span of four years. Real Life is Magazine's debut, and it is a bizarre, albeit accessible, record. It is bizarre because of how dramatic and corny it can be in places, I feel, thanks to the presence of keyboards. Even in the more punk songs, there seem to be some regrettable decisions. However, Real Life has its winning moments too. "Shot by Both Sides" is a bad ass poppy punk song not unlike Buzzcocks. "My Tulpa" features some nice, quirky guitar melodies and "The Light Pours Out of Me" is a glorious guitar epic. Don't get me wrong, nothing here comes close to touching the best songs of Devoto's previous band, but Real Life is a unique and high quality entry in the punk and post-punk canons.
Top jams: "Definitive Gaze," "My Tulpa," "Shot by Both Sides," "Recoil," "The Light Pours Out of Me," "Parade"

Breaking Bad: Seasons One, Two and Three

Breaking Bad: Seasons One, Two and Three (2008-2010)
Towards the end of my first year living in Ypsilanti, my bud Abbott introduced me to a newer AMC drama by the name of Breaking Bad. This was in the late spring of 2009, so, while the second season was airing, I do believe. At that time, we cruised through the first two seasons, and for one reason or another, I got too busy and was never able to finish the second one with him.

Fast forward to the spring of 2012, and I decided to rewatch every Breaking Bad episode I had already seen, and continue all the way through the third season, thanks to Instant Netflix. Now, this show is very popular and very well received, critically, so, I'm not going to spend too much time on this post. If you happen to not be in the know, the series is about an over-qualified high school chemistry teacher (played superbly by Bryan Cranston) who is suffering from a terminal case of cancer and decides to team up with a former student (possibly the most memorable performance of the series thanks to Aaron Paul) to secretly cook and distribute meth to provide finances enough for his family in preparation for the upcoming birth of his second child and his impending death. As half-assed as that description is, you should already be hooked on the idea of watching it. And, don't you worry, the plot gets increasingly complex and the details more and more disturbing as the series goes on.

I have a deep appreciation for the dark subject matter and increasingly intricate plot details that Breaking Bad has to offer. But, I think I have to admit that the top sell for me is extraordinary acting for a non-HBO drama series. I anxiously await the fourth season to be available on Netflix, as my friend Brian boldly (and probably rightfully) claims it is the greatest season of television he has viewed in his life.

Never Let Me Go/As I Lay Dying

Never Let Me Go - Kazuo Ishiguro (2005)
I had very high expectations for Kazuo Ishiguro's very popular, relatively recent novel Never Let Me Go, and unfortunately, they were not quite met. Ishiguro's language is simple in a beautiful way, and typically I love stories that meander like this. However, in spite of its eerie sense of impending doom (which was nicely done though anti-climactic), Never Let Me Go was too vague for my liking. I felt that the characters were shallow, and after some nice, slowly paced build up, the big reveal was handled in an unattractively nonchalant way. Honestly, as I reread what I've just typed, this sounds like my kind of novel, but for some reason, Ishiguro just didn't pull it off for me. A solid read, there's just not anything to get excited about.


As I Lay Dying - William Faulkner (1930)
I assume this sacrilege, but I pretty much hated As I Lay Dying. Criminally, perhaps, I had never read a William Faulkner novel before, and I was under the impression this was as good of a place as any to start. So, I'm going to guess that Faulkner is just not for me. I'm not really a fan of this stream of consciousness style, and call me lazy, but I loathed the novel's horrific grammar and Faulkner's prose as a whole. That prose made it easy to confuse and lose track of the ridiculous number of characters and their narration. I won't deny that the plot in As I Lay Dying, which chronicles a family's journey to bury their wife and mother, and all the messed up details within, is quite brilliant. But, admittedly, that was after I read the Wikipedia article. Whenever I get the itch for a good, dark southern gothic tale, I guess I'll just stick with John Steinbeck and Cormac McCarthy.

Break It Yourself/Giant Orange/Gallery EP

Break It Yourself - Andrew Bird (Bella Union/Mom & Pop, 2012)
Andrew Bird's latest LP, Break It Yourself, is nothing to freak out about, but considering the lack of which I cared about it, I am pleasantly surprised by how much I enjoy it. While I can't deny the dude's obvious talent, I haven't really been into anything Bird has done aside from 2007's Armchair Apocrypha. The 2009 follow-up, Noble Beast, was nice but forgettable, and actually, I feel the same about 2005's critically acclaimed Andrew Bird & the Mysterious Production of Eggs. Anyway, Break It Yourself is a little more energetic than Bird's previous solo outings, but otherwise is more of the same. The album features some gorgeous songs for sure, and maybe Bird's brand of grandiose, artful folk is at its most mature here, but I guess I'm just not nearly as interested in this kind of music as I was back in my Sufjan Stevens days. That being said, Break It Yourself is more than just solid and certainly is a respectable entry in the genre.


Giant Orange - Cheap Girls (Rise, 2012)
I feel like I mention him in almost every single one of my posts, but I must thank Bravender for tipping me off to Cheap Girls a couple years ago. It's stupid that I just now decided to finally listen to them. Giant Orange is  easily one of the best releases of 2012 so far. Their sound is an obvious nod to the alternative rock of 90s lore, most comparable to Dinosaur Jr., Gin Blossoms, and even Weezer at moments. One of the most attractive elements of the album is definitely that feeling of nostalgia that comes with it, but more importantly, these songs are killer. The record is loaded with hooks and memorable melodies, "Gone All Summer," "Manhattan on Mute," and "Pacer" featuring the best. Giant Orange is an early contender for album of the year.


Gallery EP - Craft Spells (Captured Tracks, 2012)
Craft Spells have not changed much since their delightful 2011 LP, Idle Labor, and I am completely fine with that. They're still on the popular New Order/Cure kick, just doing it even better this time around. Idle Labor was arguably excellent, the production and songs on Gallery are just of an even higher quality. Great melodies, synth sounds, etc. "Burst" and "Sun Trails" are JAMS.

Winesburg, Ohio/A Visit From the Goon Squad/Flowers for Algernon

Winesburg, Ohio - Sherwood Anderson (1919)
I'm sure this has a lot to do with the fast paced times we live in today, but I've always assumed that classic late 19th and early 20th century novels are boring. But, I'm trying to fight that notion by forcing myself to read one every now and again. I had high hopes for Sherwood Anderson's kinda/sorta cohesive short story collection, Winesburg, Ohio, and for the most part was let down. It was interesting to read such an early novel that was driven way more by character than plot. This gave the novel a welcome off-kilter feel. The first few stories were slow paced but wonderfully quirky statements on human nature and life in a quiet midwest town. Further into the book, the dragging stories and sleepy characters all started to blur together and I lost interest. I'm going to blame this on myself as opposed to the author, as Anderson does have an attractive way with description. That just wasn't enough to floor me, or anything.


A Visit From the Goon Squad - Jennifer Egan (2010)
It seems as if this 2011 Pulitzer Prize winner for fiction is relatively maligned. Critics seemed to love it, but scrolling through Goodreads reviews of the normal, every day reader, the reviews seem more mixed. This added some appeal to reading A Visit from the Goon Squad, Jennifer Egan's sprawling post-modern epic. One of the good qualities about the novel: each chapter has a completely different feel, keeping things fresh and the flow of the story interesting albeit a little difficult. Sure, most of the book is pretty derivative of the DFW/Franzen/Zadie Smith crew, but those are great inspirations to draw from, and Egan does a good job of not copping TOO much. In both positive and negative ways, a lot is made of the PowerPoint chapter, and I guess I don't really have an opinion about it. It's interesting, but neither mind blowing nor offensive. The timeline is disjointed in a fun but confusing way, but I'm not complaining. I'm more annoyed by the lack of outright likable character, and these characters aren't even unlikable in an artfully depressing, Franzen sort of way. Regardless, I enjoyed A Visit From the Goon Squad thoroughly, and would assume that the majority of my friends would too.


Flowers for Algernon - Daniel Keyes (1966)
I vaguely remember reading this, or at least many excerpts from it, at some point in high school in loving it. Had I read it again earlier on in college as opposed to just recently, it probably would have hit me harder. I assume just about everyone knows the gist of the plot of Flowers for Algernon, Daniel Keyes' most well known novel. It certainly can be described as a tear jerking and heart breaking read. However, I can't shake the feeling that this was just an easy, cheap shot for Keyes. If Flowers for Algernon was just being published now, there's no way it would have the universal effect it did in the mid/late 20th century. Still, I can't deny a good, fascinating character when I read about it, and Charlie is excellent. Every relationship he becomes interweaved with is thrilling in its own way. The increase and then deterioration of his mind is a neat and sad concept, but moves way too quickly. I feel like with every book I like, not love, I list more complaints than things that I like about it. But, in spite of those complaints with Flowers for Algernon, I really did enjoy it. I just think I would have more so at an earlier point in my life.

Emotional Listening #21

Daddy's Highway - The Bats (Flying Nun, 1987)
So, let us again talk about New Zealand jangly indie pop band The Bats. Daddy's Highway is their 1987 debut LP, and it's where I started with them. However, I focused in more on 1991's Fear of God and 1995's Couchmaster until recently, for whatever reason. They're all phenomenal albums that have helped the band to become one of my all-time favorites, but there's good reason why Daddy's Highway is considered their seminal record. It is easily their most consistent, and also, it has the best songs! There are a few slow burning ballads of the highest quality, but what makes this a nearly perfect album is all the bright sounding, upbeat jams. "Treason" is the perfect opener, and you couldn't ask for a better closer than the title track. "Round and Down," "Block of Wood" and "Mid City Team" are all classic jangle pop gems with the latter two owning favorite-songs-of-all-time status. The way "Block of Wood" starts and ends just slays me. If you are as obsessed with chimey and jangly guitars as I am, and can tolerate great melodies, then Daddy's Highway is the album for you.
Top jams: "Treason," "Round and Down," "Take It," "Tragedy," "Block of Wood," "Mid City Team," "Had to be You," "Daddy's Highway"


Telephone Free Landslide Victory - Camper Van Beethoven (Independent Projects, 1985)
Bravender will be stoked that I'm posting about this. A couple of months ago he made me a PERFECT 10-song Camper Van Beethoven best of mix, thus the newfound interest in this incredibly bizarre band.  Telephone Free Landslide Victory is their debut full length, so I figured that would be a good place to start. I will admit that it features songs that I simply do not like. But, there are also some amazing ones, namely "Take the Skinheads Bowling" and "Ambiguity Song." This record is all over the place. There are jangly indie pop songs. There are punk songs. There are several ska instrumentals. There are even Russian-sounding ska instrumentals. Telephone Free Landslide Victory is confusing and disorienting, but wonderfully charming. The insanely funny lyrics certainly help.
Top jams: "Border Ska," "The Day That Lassie Went to the Moon," "Wasted," "Yanqui Go Home," "Oh No!," "Take the Skinheads Bowling," "Mao Reminisces About His Days in Southern China," "I Don't See You," "Ambiguity Song"


Fox Confessor Brings the Flood - Neko Case (Anti-, 2006)
Objectively and technically, Neko Case has got to be one of the absolute greatest female vocalists around, right? Sultry and powerful, it's a pleasure to hear it in any context, whether it's power pop all-stars The New Pornographers or on her own. I didn't even check out any of her solo material until 2009's Middle Cyclone, which is deceivingly good and obviously gorgeous. Now I'm working my way backwards and decided to spend a little time with 2006's Fox Confessor Brings the Flood, which is equally as beautiful, though I prefer its successor. There is more of a variety of sounds on Middle Cyclone, whereas Fox Confessor... is pretty much exclusively country and southern folk. Of course, Case's vocals are beyond being on point, and is accompanied superbly by the subtle instrumentation and rich production. I really like the shimmering guitars and moody groove of "Hold On, Hold On," and the blatant country gospel sound of "John Saw That Number," but opener "Margaret vs. Pauline" is probably the jam of jams.
Top jams: "Margaret vs. Pauline," "Star Witness," "Hold On, Hold On," "That Teenage Feeling," "John Saw That Number," "Maybe Sparrow," "The Needle Has Landed"


Papas Fritas - Papas Fritas (Minty Fresh, 1995)
Now, HERE is a fantastic pop record. Papas Fritas were a power pop band based in Massachusetts predominantly in the 90s. Their self-titled debut LP is LOADED with jams. Their secret weapon here is the way the album's production and the arrangement of the songs work together. The drums and bass frequently have that muted 60s sound, which is a really nice touch when there is so much space in these songs. The melodies are memorable, and while a huge appeal of the album is its subtlety, there are hooks upon hooks. "Wild Life," "Kids Don't Mind" and "Smash This World" are great and clever as all get out, and to me, "Afterall" sounds like an awesome precursor to The Strokes. Opener "Guys Don't Lie" is not only the best song on the record, but also is my favorite song period at the moment.
Top jams: "Guys Don't Lie," "Holiday," "Wild Life," "My Revolution," "Kids Don't Mind," "Smash This World," "Lame to Be," "Afterall"


A Catholic Education - Teenage Fanclub (Paperhouse/Matador, 1990)
Teenage Fanclub's debut LP, A Catholic Education, has come to be another addition to my list of favorite guitar albums. There are certainly moments of outright wailing, but the real draw for me is simply the guitar tones, which are both fuzzy and jangly. Also, the chords and progressions rule. It took me a while to get used to the album's production, as the bass and drums are basically buried underneath the guitars. But, when your guitars sound like this, I'm not going to complain too much. I wouldn't go so far as to say the vocals here are sung well by any means, but, they sure are appropriate for the slacker 90s feel of the album, and the melodies are excellent. As much as I liked the band's latest, Shadows, I most definitely prefer this louder, sloppier version of Teenage Fanclub. "Everything Flows," "Critical Mass," and "Every Picture I Paint" should be in any conversation regarding the greatest songs of the 1990s.
Top jams: "Everything Flows," "Everybody's Fool," "Catholic Education," "Eternal Light," "Critical Mass," "Too Involved," "Every Picture I Paint," "Catholic Education 2"

Bloom/Of All Things I Will Soon Grow Tired/Exton Square EP

Bloom - Beach House (Sub Pop, 2012)
I've LIKED Beach House since the release of their 2008 album Devotion (I DO NOT like their self-titled debut, however), but I am IN LOVE with the girl + dude organ/synth/guitar duo's latest, Bloom. Call the band what you will: dream pop, slowcore, shoegaze, whatever. These songs ARE dreamy. They ARE pretty slow (though more upbeat than previous records, but that's not saying much). There IS more of a shoegaze element to this record. But, who cares? These songs are just damn good, and at least three of them are excellent to perfect. Victoria Legrand's vocals are killer, the production is warm and rich, and most importantly, the chords, progressions and melodies all rule. Album closer "Irene" is as close to bad ass as the group will ever get, and, at the moment, "Other People" is tied with The Shins' "Simple Song" for best song of 2012 so far. Just sayin'.


Of All Things I Will Soon Grow Tired - Joyce Manor (Asian Man, 2012)
Of all the great pop punk records released over the past several months, Joyce Manor's incredibly short (13 minutes!) and sweet Of All Things I Will Soon Grow Tired should probably be at the top of the heap. Everything I look for in good poppy punk music is there: catchy melodies, tight musicianship, solid production and great songs. What sets Of All Things I Will Soon Grow Tired apart, though, is the degree of diversity from song to song. There are nice acoustic tracks, songs with drum machine, and even an awesome cover of "Video Killed the Radio Star." Somehow the band makes each different sound work for them. As subtle and brief as it is, Of All Things I Will Soon Grow Tired is one of the best releases of 2012 yet.


Exton Square EP - Spraynard (Asian Man, 2012)
More well-produced, blatant pop punk from the long running Asian Man Records! Spraynard's Exton Square EP is not all that different from the classic and perhaps embarrassingly lovable albums by Blink-182 and New Found Glory. BUT, screw you if you have a problem with it. There are some good melodies here, and I have been all about new music that brings me back to high school these days. Also, Spraynard is the funniest band name ever. I should have known it was a Tim & Eric reference.

Lazy Eye

"Lazy Eye" by Silversun Pickups, from Carnavas (2006)
After a hang session with my buddy Chris at Herman's in Plymouth, watching tonight's Doug Fister pitching gem turn into the most depressing loss possible for the Detroit Tigers, this song came on over the stereo. I have never liked anything else I've heard from this band, but had forgotten how much this excellent jam sounds like an awesome Smashing Pumpkins song.

Guys Don't Lie

"Guys Don't Lie" by Papas Fritas, from Papas Fritas (1995)
While everything about this song is great, its strongest suit is its subtlety and restraint. SO GOOD.

Sin City

Sin City (1991-2000)
By Frank Miller
I spent the month of April reading all of Frank Miller's Sin City trade collections, and I must say, these books are about as pulpy as you can get.

I've never really been a fan of Miller's artwork, but I do like his post-modern spin in The Dark Knight Returns and appreciate his artful depiction of violence. If you're into graphic novels, I'm sure you've read several if not all of the Sin City books. But, just in case, Sin City is a string of noir tales set in the fictional Basin City featuring insane amounts of murder, blood, guts, nudity, and sexual encounters. The series is pure offensive pulp.

The pulp factor is not a major turnoff to me by any means, as I am a fan of violence and overall messed up-ness in graphic novels. In fact, it is my favorite thing about the series. I surely am not enamored with the books' emotionless and repetitive narration and hit-or-miss minor characters. The main protagonists are solid for the most part, and the heavy hitting villains are usually excellent.

I know I stated earlier that I didn't really like the style of Miller's artwork, however, I do enjoy it in Sin City. The blatant ugliness of some of the protagonists is an interesting move, and the detail and overall style is superior to Miller's visual work with Batman. The lack of color actually makes things look quite stunning, and the subtle inclusion of color later in the series, namely in That Yellow Bastard and Hell and Back, is an awesome touch.

There are most definitely low points in the Sin City story, but they are outweighed by the brilliant moments, and as a whole, it is a high quality comic book series that is equally disturbing and fun.

One Flew Over the Cuckoo's Nest/Battle Royale/Winter's Bone

One Flew Over the Cuckoo's Nest - Ken Kesey (1962)
I've never heard anyone say a negative thing about the novel or film edition of One Flew Over the Cuckoo's Nest, so my expectations were high. Not only was I not let down, but those expectations were exceded by a long shot. A prisoner fakes insanity to serve the rest of his sentence in an asylum as opposed to jail, and ends up causing many a ruckus while encouraging and convincing the other patients to stand up to the institutional process. There are almost too many characters to keep track of, but it helped that they are all so likable and interesting. Ken Kesey's writing is straightforward but intricate, which is a great combination. One Flew Over the Cuckoo's Nest is equally funny and sad, and its complex character studies and stunning ending definitely solidify its classic status.


Battle Royale - Koushun Takami (1999)
Since late college, I had heard so much about both novel and film versions of Battle Royale. I knew what to expect, and yet I was still completely shocked by how brutal this novel is. In case you didn't know, Battle Royale is about a government program that forces an entire classroom of middle school students into an enclosed area (usually a small island) to fight and kill until there is only one left standing. There are more complex specifications to the "game," as it's referred to, but you get the idea. I will admit that the U.S. translation is a tiny bit week. Koushun Takami's descriptive language and dialogue are mind-numbingly simple, and even too cute at times. Maybe that's just how he writes, but I have a feeling that his actual style was lost a little bit in the translation. Other than that, Battle Royale was pretty great. With so many characters, it was incredibly difficult to keep track of everyone and to know who exactly is involved with what event. In spite of that, these characters are surprisingly deep, even the ones that Takami doesn't spend much time on. Each character is likable in his or her own way, even the villains. The gruesomeness of all the violence and gory details is magnified thanks to that fact that it is kids brutally killing each other, but in some twisted way, I think that's why this novel works. Sure, it's pure pulp, but the critiques of tyranny and dictatorship are not very well hidden either. If you can stomach the idea that it is children creating all this gore (let alone the gore itself) as well as technical, straightforward writing that isn't necessarily the best, I encourage you to read Battle Royale for all the emotional pull and brilliant twists and turns within.


Winter's Bone - Daniel Woodrell (2006)
Winter's Bone is a short, surprisingly fast paced novel considering how much meandering occurs in the plot. Daniel Woodrell writes in an Old Testament/Southern Gothic style, akin to Cormac McCarthy and especially Charles Portis. Main character Ree's father skips bail on charges that he ran a crystal meth lab, and if he doesn't turn up for his court date, the family will lose their house. Thus, Ree embarks on a mission to locate the whereabouts of her dad and save her family. In a sense, Winter's Bone is an adventure novel in the vein of True Grit, but very subtly so. At 16 years old, Ree is a gritty heroine with inspiring characteristics and relatable flaws, and all the minor characters mesh together well. Woodrell's descriptive language is simple and cryptic yet equally beautiful. While I wasn't blown away by Winter's Bone, I enjoyed its dark tones, build-up and overall mystery.